Karen Campbell’s ‘beautiful, uplifting’ THIS BRIGHT LIFE longlisted for Scotland’s National Book Awards

THIS BRIGHT LIFE – the ninth novel by Karen Campbell – has been included on the longlist for this year’s Best Fiction prize at Scotland’s National Book Awards, presented by the Saltire Society. One of the world’s oldest running prizes for literature, first awarded in 1937, Scotland’s National Book Awards celebrate the very best of Scottish writing across five categories – Fiction, Non-Fiction, Poetry, First Book and Research – the winners of each competing for the overall Book of the Year prize.

‘Witty and incisive, this is a quirky and compassionate novel centred on a brilliantly realised child character,’ said the judges on THIS BRIGHT LIFE, calling it ‘a deft and empathetic exploration of lives fallen between the cracks.’

THIS BRIGHT LIFE tells the intertwined stories of twelve-year-old Gerard, widower Margaret, and social worker Claire as a terrible decision brings together their three messy lives in order to heal, mend, and build again. The novel was published by Canongate in March 2025, with an audiobook simultaneously published by Bolinda. It earned rave reviews from the likes of Janice Hallett  (‘Ultimately life-affirming, this gritty novel will take you to dark places, but it’s one beautiful, uplifting journey’) and Kirstin Innes (‘Karen Campbell finds lives that can fall between the cracks, and holds them up to the light of her clear, compassionate writing’), as well as The Scotsman and The Herald. A paperback will be published by Canongate in March 2026, and a Turkish translation by Nemesis is forthcoming.

Longlisted for Best Fiction alongside Karen are Sean Lusk (A WOMAN OF OPINION), Chris McQueer (HERMIT), Michael Pederson (MUCKLE FLUGGA), Angie Spoto (THE BONE DIVER), Richard Strachan (THE UNRECOVERED), James Yorkston (TOMMY THE BRUCE), Selali Fiamanya (BEFORE WE HIT THE GROUND), Krystelle Bamford (IDLE GROUNDS) and Chris Kohler (PHANTOM LIMB). The shortlists will be announced in October, ahead of the awards ceremony in late November.

Congratulations Karen!

About THIS BRIGHT LIFE

Margaret – an elderly widow who just wants to be left with her memories and her quiet, contained life.

Claire – newly divorced, downsizing into the neighbourhood and way too busy to mend a broken heart.

Gerard – a tearaway twelve-year-old who hates his name but loves his little brother and sister. Gerard is a bright kid, but trouble always follows him. No one really knows what it's like at home; he's used to carrying a lot on his small shoulders.

Gerard doesn't always make good decisions. One morning, he makes a very bad one, upending not just his world, but the lives of Margaret and Claire too. Both heart-breaking and life-affirming, THIS BRIGHT LIFE is a story of messy lives, second chances and the many hands it takes to build a boy.

Photo: Kim Ayers

About Karen Campbell

Karen Campbell is originally from Glasgow but now lives in southwest Scotland. She graduated with distinction from Glasgow University’s Creative Writing Masters and won an SAC New Writers Award and a Creative Scotland Bursary. Before turning to writing, she was a police officer in Glasgow, then press officer with Glasgow City Council. She also tutors in creative writing and was Writer in Residence at Dumfries & Galloway Council during the Covid-19 pandemic.

Her first four novels focus on life behind the police uniform. This disconnect between what we see on the surface and the reality underneath runs through much of her work, with Karen going on to write novels such as THIS IS WHERE I AM (Bloomsbury, 2013), which was a Radio 4 Book at Bedtime.  Her eighth novel PAPER CUP (Canongate, 2022) was a Waterstone’s Scottish Book of the Month and won the 2023 Blairgowrie Bookmark Prize. Karen’s appeared on Radio 4 Women’s Hour, Radio 3’s The Verb, Radio Scotland and BBC television’s Big Scottish Book Club.

Praise for THIS BRIGHT LIFE

‘THIS BRIGHT LIFE is a moving, haunting portrait of childhood and the jagged reflections of one tiny action in the kaleidoscope of humanity. Karen Campbell captures the voice of 12-year-old Gerard with poignant accuracy and her words paint pictures with the touch of an old master. Ultimately life-affirming, this gritty novel will take you to dark places, but it’s one beautiful, uplifting journey.’ – Janice Hallett 

‘I love this story so much. Karen writes with such a rare and deep understanding of people and every word of her stories earns its keep. THIS BRIGHT LIFE is dark, moving and compassionate… it makes you feel hopeful, like a handrail in the dark. I adore it’ – Joanna Cannon

‘Karen Campbell finds lives that can fall between the cracks, and holds them up to the light of her clear, compassionate writing. Wee Gerard is yet another one of her brilliant creations – so real you can hear him breathing, feel his hurt and frustration alongside him.’ – Kirstin Innes

‘A novel of great empathy and humanity, in which bleakness is offset by optimism, represented by the community that rallies around, the stranger who wants to help and the possibility of redemption.’ – Alastair Mabbot, The Herald

‘Few write with such compassion and understanding of human nature, which is just one of the reasons her books mean so much to her readers. THIS BRIGHT LIFE looks back to childhood and how decisions made, and resultant events, impact on individuals and those around them. Karen Campbell manages to convey the drama of people’s everyday lives in the most empathetic and beautiful way.’ – Alastair Braidwood, SNACK Magazine, ‘Ten Books for 2025’

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Jeanette Ashmole interviewed by Drama Quarterly

Drama Quarterly recently profiled our screenwriter client Jeanette Ashmole, exploring her unconventional journey from criminal barrister, police officer, and criminal investigator—with more than two decades of frontline legal experience—to TV legal consultant and now screenwriter.

Jeanette has quickly established herself as a trusted voice in TV, bringing a rare level of authenticity to the dramas she advises. Her credits include major productions for broadcasters such as ITV, Sky, and the BBC—among them are shows such as Grace, Jimmy McGovern’s acclaimed series Time and Unforgivable, as well as a recent adaptation of a Harlan Coben bestseller. Her legal and police background allows her to help with character development, story, and procedural detail with a precision that can only come from lived experience.

In the article talking about Jimmy McGovern’s ‘Time’, she explains: “I was involved right from the start to build all those character backgrounds and make sure it worked, as well as reading scripts, giving notes, and working with the costume department,” Jeanette explains.

Now, Jeanette is turning her knowledge and expertise into the creation of her own original projects, blending gripping storytelling with the same realism that has defined her consultancy work. She is represented by Julian Friedmann.

Read more about Jeanette and her unique career journey in Drama Quarterly’s article here.

Graeme Macrae Burnet’s A CASE OF MATRICIDE shortlisted for Ned Kelly Awards’ Best International Crime Fiction prize

Graeme Macrae Burnet’s acclaimed conclusion to the Inspector Gorski trilogy, A CASE OF MATRICIDE, has been shortlisted for this year’s Ned Kelly Awards. Run by the Australian Crime Writers Association, the Ned Kelly Awards are Australia’s oldest and most prestigious honours for the best crime fiction and true crime writing published in Australia. A CASE OF MATRICIDE, published by Text Publishing in Australia in October 2024, is recognised in this year’s Best International Crime Fiction category, alongside fellow nominees Michael Bennett, David McCloskey, Charity Norman, Jacqueline Bublitz and Michael Connelly. The winner, who will follow in the footsteps of recent honourees Adrian McKinty, Chris Whitaker, Nita Prose and Louise Candlish, will be revealed in September.

A CASE OF MATRICIDE – in which small-town French police inspector Georges Gorski must investigate the overlapping paths of a deceased business magnate, a shadowy stranger with no apparent reason to be there, and the titular threat of familial murder – sees Graeme receive his second nomination at the Ned Kelly Awards, having also been recognised for his Booker-longlisted standalone CASE STUDY in 2022.

Alongside Text Publishing, A CASE OF MATRICIDE was published in North America by Biblioasis and, most recently, as a paperback in the UK by Saraband in May 2025. The audiobook edition is published by Bolinda, and rights have sold to Impedimenta in Spain. Graeme will return this autumn with his new novella BENBECULA, the latest entry in Polygon’s Darkland Tales series, in which Scotland’s best writers reimagine moments from the country’s past – Polygon, Biblioasis and Text will all publish in October 2025.

Congratulations Graeme!

About A CASE OF MATRICIDE

In the unremarkable French town of Saint-Louis, a mysterious stranger stalks the streets; an elderly woman believes her son is planning to do away with her; a prominent manufacturer drops dead. Between visits to the town’s bars, Chief Inspector Georges Gorski mulls over the connections, if any, between these events, while all the time grappling with his own domestic and existential demons.

Graeme Macrae Burnet pierces the respectable bourgeois façade of small-town life in this deeply human story. He draws a wry humour from the tiniest of details and delves into the darkest recesses of his characters’ minds to present a fascinating puzzle that blurs the boundaries between suspect, investigator and reader in an entertaining, profound and moving novel.

Credit: Euan Anderson

About Graeme Macrae Burnet

Graeme Macrae Burnet was born in Kilmarnock, Ayrshire and now lives in Glasgow. He has also lived in the Czech Republic, France, Portugal and London.

His first novel, THE DISAPPEARANCE OF ADÈLE BEDEAU (Contraband, 2014), received a New Writer’s Award from the Scottish Book Trust and was longlisted for the Waverton Good Read Award. A second Inspector Gorski novel, THE ACCIDENT ON THE A35, was published in 2017, and the trilogy was completed in 2024 with the ‘tragic, cinematic, propulsive' (Martin MacInnes) A CASE OF MATRICIDE.

HIS BLOODY PROJECT (Contraband, 2015) won the Saltire Society Fiction Book of the Year Award and the Vrij Nederland Thriller of the Year, and was shortlisted for the Man Booker Prize, the LA Times Mystery Book of the Year and the European Crime Fiction prize. It has been published in over twenty languages. CASE STUDY was published in 2021 by Saraband (UK), Text (ANZ) and Bolinda (UK audio) to wide critical acclaim. The North American edition was published in 2022 by Biblioasis. It has been longlisted for the Booker Prize 2022 and the Dublin Literary Award, and shortlisted for the Gordon Burn Prize and Ned Kelly International Crime Prize. It has been published in fifteen languages.

Graeme was named Author of the Year in the 2017 Sunday Herald Culture Awards and has appeared at festivals and events in Australia, New Zealand, the US, Canada, Russia, Estonia, Macau, Ireland, Germany, Poland and France, as well as in the UK.

Praise for A CASE OF MATRICIDE

‘A dizzyingly immersive experience. Macrae Burnet’s Gorski novels were already a significant achievement, but the concluding part is breathtaking – tragic, cinematic, propulsive – and marks a new standard in contemporary crime fiction.’ – Martin MacInnes, Booker-longlisted author of IN ASCENSION

‘Burnet plays metafictional games, but the book pulls off the rare double of being emotionally involving as well as teasingly tricksy.’ – Jake Kerridge, 5* review, The Telegraph

‘Brilliantly weird.’ – Paula Hawkins, author of THE GIRL ON THE TRAIN

‘I’ve long appreciated the way Burnet’s novels are in conversation with earlier times… min[ing] the postmodern era without pretense and with deep respect… You can gulp down A CASE OF MATRICIDE in one sitting, as the prose style seems to demand. But linger over Burnet’s novel, and its real pleasures emerge.’ – Sarah Weinman, New York Times

‘A CASE OF MATRICIDE demonstrates literary talent of the highest order… Details of place are especially rich, and the subtle mores of the small town are reflected in Gorski’s misguided incorruptibility… few writers can rival Burnet.’ – Andrew Rosenheim, The Spectator

‘Macrae Burnet brings a slyly playful quality to his reimagining of the classic police procedural… and here delivers a wickedly funny novel that owes as much of a debt to Albert Camus as it does to Georges Simenon.’ – Declan Burke, Irish Times

‘Burnet has proved to be a durable talent, and A CASE OF MATRICIDE continues his upwards trajectory… this final book in a trilogy is a triumph.’ – Barry Forshaw, Financial Times

‘Graeme Macrae Burnet’s A CASE OF MATRICIDE finished up his Gorski trilogy with all the Kafkaesque shenanigans, paranoia and observational bathos you could wish for. It’s an incredibly fun, cleverly crafted novel that works on so many levels I can even forgive him for being a postmodernist.’ – Eimear McBride, The New Statesman, ‘Books of the Year 2024’

Visit Graeme’s website.

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Ivan Vladislavić longlisted for top South African prize for ‘cinematic, masterful’ portrait of Johannesburg, THE NEAR NORTH

We are delighted to announce that Ivan Vladislavić – one of South Africa’s foremost writers of both literary fiction and non-fiction – has once again been longlisted for South Africa’s prestigious Sunday Times Literary Awards, with his latest work THE NEAR NORTH recognised among the nominees for this year’s non-fiction award.

The non-fiction award honours ‘the illumination of truthfulness, especially those forms of it that are new, delicate, unfashionable and fly in the face of power’ through their ‘compassion, elegance of writing, and intellectual and moral integrity’. Ivan’s book THE NEAR NORTH is a vivid account of life in Johannesburg in times of crisis. From the stony ridges of Langermann Kop in Kensington to the tree-lined avenues of Houghton, the book invites the reader to follow Ivan through the city’s streets, meeting its ghosts and journeying through time and (often circumscribed) space, finding meaning in the everyday and incidental. The book was first published by Picador Africa in March 2024; an extract from the book, ‘A Faceless Compass’ was published in the Yale Review and is available to read online.

Ivan is a previous winner of both the non-fiction and fiction awards – the only writer to have claimed both to date – having triumphed in non-fiction for his ‘ingenious love letter’ (Geoff Dyer) to Johannesburg PORTRAIT WITH KEYS (SA: Umuzi; UK: Portobello Books) in 2007, and in fiction with his ‘imaginatively wild’ (Neel Mukherjee) novel THE RESTLESS SUPERMARKET (SA: Umuzi; UK: And Other Stories) in 2002.

Congratulations Ivan!

Photo: Minky Schlesinger

About Ivan Vladislavić

Ivan Vladislavić was born in Pretoria in 1957 and lives in Johannesburg. His books include the novels THE DISTANCE, THE RESTLESS SUPERMARKET, THE EXPLODED VIEW and DOUBLE NEGATIVE, and the story collections 101 DETECTIVES and FLASHBACK HOTEL. In 2006, he published PORTRAIT WITH KEYS, a sequence of documentary texts on Johannesburg. He has edited books on architecture and art, and sometimes works with artists and photographers. TJ/DOUBLE NEGATIVE, a joint project with photographer David Goldblatt, received the 2011 Kraszna-Krausz Award for best photography book.

His work has also won the Sunday Times Fiction Prize, the Alan Paton Award, the University of Johannesburg Prize and Yale University’s Windham-Campbell Prize for fiction. He is a Distinguished Professor in the Creative Writing Department at Wits University.

Praise for THE NEAR NORTH

‘Some of the most moving prose ever written about this former mining town…What a chronicle of a city in perpetual crisis.’ – Jacob Dlamini (author of ASKARI)

‘Ivan Vladislavić’s hand, not unlike that of Marlene Dumas, is unshaking as it paints silent, slow and highly vivid, almost cinematic, lines on the canvas of our shared Johannesburg… A masterful form of reportage of life spent seeing… feeling.’ – Bongani Madondo

‘A bewitching meditation. A raw, literary, and heart-felt ode to life in Johannesburg.’ – Andrew Harding

‘An elegant, gentle, bitter-sweet ramble through the streets of Johannesburg with the incomparable Vladislavić.’ – Jonny Steinberg

‘Ivan is one of South Africa’s best writers… the book is filled with exquisitely observed observations of Johannesburg in all its different moods and the different way people experience the different streets of Johannesburg: absolutely exquisite writing.’ – John Maytham, CapeTalk

‘THE NEAR NORTH has the febrile, hallucinatory feel of JG Ballard’s earlier apocalyptic novels, but tempered and made gentle by a Proustian attention to the ordinary that manages to make the book both paean and threnody.’ – Chris Roper, Daily Maverick

‘Vladislavić's helpless addiction to the inexhaustible variety of the ordinary reality is what makes his books so extraordinary. THE NEAR NORTH is a delightful addition to a substantial output.’ – Michiel Heyns (translated from Afrikaans)

‘There is sadness, rage, confusion and humour in the author’s responses to things but they come together in a reassuring gentle wisdom, an acceptance of things as they are, even as he wishes they could be different. There has been no waning of the author’s observational powers, and no waxing of the author’s ego. It’s a beautiful book. A true thing.’ – Karin Schimke

Praise for Ivan Vladislavić

‘Ivan Vladislavić occupies a place all of his own in the South African literary landscape: a versatile stylist and formal innovator whose work is nevertheless firmly rooted in contemporary urban life.’ – J.M. Coetzee

‘Mysterious, lyrical and wickedly funny… Ivan Vladislavić is one of the most significant writers working in English today. Everyone should read him.’ – Katie Kitamura

‘In a country obsessed with social realism, Vladislavic has always tried to find less obvious ways to approach the world.’ – Damon Galgut

‘Vladislavić's narrative intelligence is nowhere more visible than in his way with language itself… We enter incidents in medias res – as though they were piano études – and exit them before we have overstayed our welcome.’ – Teju Cole

‘Nothing short of a great contemporary writer, he pushes at form and content to make something strangely new and profound.’ – Neel Mukherjee

Visit Ivan's website.

Sheena Lambert won Best Irish Language Film at the Galway Film Fleadh July 2025

Dublin-based screenwriter, playwright and novelist Sheena Lambert has won the Best Irish Language Film award at the 2025 Galway Film Fleadh for her debut feature film BÁITE, which premiered at the festival in July.

Set in the fictional rural village of Glanaphuca in the late summer of 1975, BÁITE follows Peggy Casey as she struggles to preserve her family's pub and the unity of her family. The story takes a dark turn when a body is discovered in the receding waters of a local lake, drawing the attention of Dublin Detective Frank Ryan. As Ryan's investigation intensifies and uncomfortable questions mount, Peggy's carefully constructed world begins to collapse, threatening to transform the Glanaphuca community forever.

The film's success at one of Ireland's most prestigious film festivals marks a significant milestone for Lambert, who adapted the screenplay from her 2015 novel THE LAKE (HarperCollins). As an established Irish writer, she brings a deep understanding of character and place to her debut feature.

Sheena Lambert is represented by Julian Friedmann for her books, screenplays and plays.